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Last edited by Giltheartist; 11-07-2022, 12:48 AM. -
You got quite the series..Hope it catches on..
I only had the time to skim...You know I like your B/W...Keep That Pencil Busy!
Keep that Pencil Busy!Comment
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I know you mentioned the Asian reading layout right to left...but I for got why....Keep that Pencil Busy!Comment
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no reason.Comment
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Good Enough...I thought it might be a selling point..Originally posted by Giltheartist View PostKeep that Pencil Busy!Comment
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everyone hated my left to right work so i just wanted to make sure they also hated it in reverse.Comment
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I'm not exactly sure why..but your lighting/shading is not holding me in the story...it's like the B/G is not clear and your actors are not looking finished..Pnl 4 has some pop though...Just my own thoughts an how it's hit me...( I could be all wet lol )
Keep that Pencil Busy!Comment
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i should just get your email & send them straight to you. its ****ing dead here.Comment
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Your values tend to be very grey. It's not a huge deal in a simple panel that's showing some simple action. But you cram a lot of detail in your panels and the greyness flattens stuff out. I can read it, but its work. If it takes more effort to make things out, it's going to be harder to sustain the reader's interest.
That big splash page with the woman on the bridge is a good example. Like damn, you're putting in some work in this comic. There's a ton of cool details going on. But when I first looked at that page, I kept thinking "what the **** is that thing next to her? A machine?" Once I could actually make out the little alien fellow--it could totally see him. But I think initially the washed values of his little arms on the control panel blended in with the values and rhythms of the trees in the background. I would think about either tinkering with the values in Photoshop to add more darks or manually going back in with some chunky black holding lines to punch the silhouettes.Comment
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Nicely Said battlewrath...I just could not put my finger on it...
Keep that Pencil Busy!Comment
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