Pat
Could you tell me a little more about the team your working with?
They must be pretty computer drivin.( Nothing wrong with that.)
I'm just Old School,Very Old School.
You keep up the good work,have a great weekend!
Blessings!
Bryan E.Warner
Hi,
Here is Rash page 4...
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Pat
Could you tell me a little more about the team your working with?
They must be pretty computer drivin.( Nothing wrong with that.)
I'm just Old School,Very Old School.
You keep up the good work,have a great weekend!
Blessings!
Bryan E.Warner
Hi Bryan,
The writer/colorist I'm working on for this project is an animated colorist. He worked on some good productions here, in Montreal, as colorist and then as Art director. He did some colors too on some European Comic.
As for Rash, it was created with the goal to obtain an animated look,so we agreeded to drop the black spot technique to draw with, like we say here, the «trait pur».
There are lots of stuff I'm reffering from the old school, especially the storytelling (especially European storytelling). I prefer a more classical page setting like Loisel (Peter Pan) or Mignola (Hellboy) than the majority of page setting from today, with panels everywhere.
For the art, even if I appreciate a lot of old timer like BWS or Buscema, since I discovered artist like Pedrosa, Barbucci, Ramos and especially Meglia, Ifound there an art I really like; a more cartoony style. I really like it.
So with this almalgam, I tend to go with a classical storytelling, completed by a more «dynamic» drawing.
Thx for the reply,
All the best,
Pat
Thanks Pat.
Hope this endevour goes well.
Blessings!
Bryan E.Warner
I love your angle choices, and the dynamics. Your story telling sometimes gets a little confusing, but I think that's because sometimes you stretch a lot over many pages. I would love to see this put together in a book.
Do you have a tentative title release date?
Pika!
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