Page 1 of 2 12 LastLast
Results 1 to 10 of 16

Thread: Complex

  1. #1

    Complex

    Complex is my new comic written by Michael Malkin. We are releasing our first 64-page collection and will begin our 22-page bi-monthly series in February.

    Any kind of feedback (good or bad, general or specific) is welcome.

    Here are some sample pages. These were interesting to do. One of the challenges was depicting night without inking the sky black every time. I hope the shadows and silhouettes do the job.



    Fellow artists might recognize a variation on one of Wally Wood’s “22 panels that always work”.

    I’m still curious what a colorist would add to the mix...
    Last edited by Kay.; 12-06-2011 at 09:38 AM.

  2. #2
    Member
    Join Date
    Oct 2011
    Location
    Southern California
    Posts
    72
    Keep the black and white going. I did notice the Wally Wood's tutorial. I think it looks great.

  3. #3
    Thanks!

    Actually I grew up reading classic strips as well as comics from Italy and Argentina, so I think in black-and-white. Still, some pages are challenging. Here I had to depict the desert, so I refrained from using solids and hatching. I hope it works!

    Last edited by Kay.; 12-06-2011 at 11:12 AM.

  4. #4
    eats babies [SUPPORTER]
    [Moderator]
    InkDrop's Avatar
    Join Date
    Jan 2001
    Location
    PA
    Posts
    3,065
    That last panel of the first POST was a straight up visual treat. I am totally digging the pages. Bookmarked and will pick up a digital copy or two next payday.
    Last edited by InkDrop; 12-06-2011 at 07:50 PM. Reason: I wrote First Page but meant first POST :D

  5. #5
    Your art is quite good.

    Quote Originally Posted by Kay. View Post
    Actually I grew up reading classic strips as well as comics from Italy and Argentina, so I think in black-and-white. Still, some pages are challenging. Here I had to depict the desert, so I refrained from using solids and hatching. I hope it works!
    Who were your influences? I'm very fond of Argentine and Italian artists too - Breccia, Sergio López, Toppi, Buzzelli, De Luca, Crepax, they're all awesome!

  6. #6
    Quote Originally Posted by InkDrop View Post
    That last panel of the first page was a straight up visual treat. I am totally digging the pages. Bookmarked and will pick up a digital copy or two next payday.
    Thanks! You do realize I'm posting the best pages, right? Seriously though, I try to create my art in the service of the story... Michael is the real star of the book.

  7. #7
    Quote Originally Posted by MRosa View Post
    Who were your influences? I'm very fond of Argentine and Italian artists too - Breccia, Sergio López, Toppi, Buzzelli, De Luca, Crepax, they're all awesome!
    Oh, I love them all! Also Muñoz, Stano, Milazzo, Pratt, Roi... Perhaps not influences as such, but I did pick up a thing or two from each.

  8. #8
    Your chiaroscuro reminded me a lot of Buzzelli's I Labirinti. Ever read that one?

  9. #9
    Lovely background work, very very nice overall

  10. #10
    Quote Originally Posted by MRosa View Post
    Your chiaroscuro reminded me a lot of Buzzelli's I Labirinti. Ever read that one?
    I hate to say it, but I wasn't familiar with it. Truth be told, I've read reprints only and Buzzeli's comics were few and far between (if any). I've just googled it and loved it. I have a feeling you might enjoy my other comics more:



    Not sure the style would be the best fit for this book though. "Complex" is a mystery set in a small town, something like The Prisoner.

Tags for this Thread

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •