Pikachu
02-03-2004, 12:57 AM
The Scarecrow and Mrs. Kingston
Copyrighted 2001.
All Rights Reserved
Chasing Tails (Part 1)
By: Tristan Vick
Friday, January 30, 2004
Email: tv_pikachu@yahoo.com
Page 1
Panel one: Inside a coffee house, Starbucks Style, Julie sits at a round table alone. She is looking down at her cup of coffee.
Panel two: Julie is now holding the cup up looking at it closely, as if she were examining it for greater meaning. A waiter walks over to her.
Panel three: The waiter, a young strapping lad with spiky blond highlights and dazzling blue eyes, bends slightly forward.
Waiter: Miss, Is something the matter?
Panel four: Julie looks up at the young man with an all too serious face.
Julie: Itfs like a juxtaposition of an oxymoron, or some other kind of shit.
Waiter: Pardon me miss?
Panel five: Julie stands up and walks to the counter with the cash register.
Julie: It doesnft make sense. You know? A beautiful boy like you, a nice place like this, and what do you go and do? You serve the best cup of garbage in this god-forsaken town.
Page 2
Panel one: Julie walks out the front door, without paying. From inside, the waiter shouts out to her.
Waiter (OP): Wait, miss, you forgot to pay!
Panel two: The waiter appears in the doorway just as Julie pushes back her jacket to show her two 9MM guns holstered snuggly, one under each arm.
Waiter: Holly shit!
Julie: Donft wet yourself kid, Ifm a cop, but still I ainft paying. Unless, of course, you want to be arrested for assaulting an officer with that piss poor shit you pass off as coffee.
Panel three: Julie starts to walk down the street in a huff. The waiter puts his hands up in the air, playfully gesturing.
Waiter: Hey, I surrender; itfs on the house!
Panel four: The waiter walks back into the coffee house. We watch him let off some steam.
Waiter: I hate that lady. If she hates our coffee so damn much, then why does she come back every single freakinf week? For crying out loud!
Page 3
Panel one: Itfs now nighttime. Julie and Scarecrow (yes, the one and only real live scarecrow) stand at a cross walk on the busy Hollywood strip watching traffic zip by.
Scarecrow: So how was your daily cup?
Julie: Ifve had better.
Panel two: Julie and Scarecrow are still standing there. As they look up in time to see a Jeep go by. Itfs obviously a bunch of fraternity kids, as there is a driver, a passenger, and one guy standing up in the back of the Jeep, who also happens to be stark naked. All we see is his backside.
Frat Boys: WOO-WOOOOO!!!
Panel three: The jeep is gone, and Julie and Scarecrow remain undazed.
Julie: Put on your seat belt you dip-shit.
Panel four: Julie and Scarecrow suddenly look over in the direction the jeep was going. A collision has just occurred off panel.
SFX: CRASH!
SFX: HONK HONK!
Panel five: Close up of Scarecrow wincing as Julie remains unaltered in her emotional status.
Scarecrow: Ouch!
Panel six: Julie still remains calm. Scarecrow seems worried.
Scarecrow: Do you think we should help?
Julie: Nah. The good olf boys in blue can take care of it. Besidesc
Julies: It looks like hefs going to need the ejaws of lifef if he wants to take his pecker home with him.
Panel seven: Julie begins to cross the street, as it is now safe to do so.
Scarecrow: Yeah, bad luck.
Julie: No, just stupid dips driving recklessly.
Scarecrow: Yeah, that too.
Page 4
Panel one: As the two detectives walk down the street, there can be seen a group of what appears to be hookers, standing around at the next street corner.
Panel two: Julie perks up as something catches her attention. Scarecrow notices her change.
Scarecrow: Whatfs up?
Panel three: A dramatic angle shot of Julie pointing at something, or someone.
Julie: Donft you dare tell me thatfsc
Panel four: Scarecrow now sees it too, and he finishes Juliefs sentence.
Scarecrow: Vicky Van Foxenbossom!!!
Panel five: A woman with long blonde curls, a tight red dress, and extremely masculine build, and 4 AM stubble, spins around drastically and looks sharply in the direction her/his name was just shouted.
Page 5
Panel one: Vicky takes of running, as best that a stalky man can run in six inch heals. He pushes the other ladies of the night out of his way.
Panel two: Julie, in excitement takes chase, running after her/him.
Julie: Oh no you donft bitch! COME BACK HERE GOLDILOCKS! NOW! VICTOR!
Panel two: Victor runs into the street and pulls a guy off a motorcycle.
Panel three: Victor, in his tight fitting little red dress zooms off.
SFX: Skreeech!
Panel four: The biker is getting up off the ground and Julie dashes up, crashing into him.
Julie: Police! Move out of the way.
Biker: Oof!
Panel five: The biker falls back down, and Julie keeps on chasing Victor by foot.
Page 6
Panel one: Scarecrow stops to help the man up. Up ahead of them is a horse and carriage. Julie is out of sight.
Scarecrow: Are you hurt?
Biker: Just my ego. Some dude in a dress just went GTA on my ass. Totally un-cool man!
Panel two: Scarecrow stands straight, and pauses as he sees the horse and carriage.
Scarecrow: Donft worry son, I have a plan that will ensure the apprehension of that totally un-cool dudette, and wefll get you your bike back ASAP.
Panel three: Julie is dog-tired but shefs sprinting like a bat out of hell down the street to catch up. Out of breathe and weezing, she remains focused.
Julie: Puh- puh phooh.
Scarecrow (OP): Need a lift?
Page 7
Panel one: Scarecrow is riding the horse from the carriage and reaches down to grab Julie.
Julie: Whatchuffctook youchuff huffc so Goddamn long?!
SFX: Clop clop! Clop Clop!
Panel two: Scarecrow and Julie clasp arms and he pulls her upward.
SFX: Grab!
Panel three: They gallop off after Victor.
Julie: He took a right at that crispy cream up ahead. Hey, wherefd you learn to ride a hoarse anyway?
Scarecrow: I worked on a ranch up in Montana for a few summers.
Julie: Well arenft you something. My very own partner, John Scarecrow, real life cowboy and everything.
Page 8
Splash page: Driving at us head on is Victor, in his tight fitting skirt, hairy cleavage, and wavy golden locks, is racing down the street on the motor bike he stole earlier. As he glances into the bikefs mirror he unexpectedly notices something he was unaware of up until now. There is a hoarse with a Scarecrow (Yes, a real life walking and talking scarecrow) and Julie Kingston tailing him. With a backdrop of city lights in the evening, the chase ensues!
Victor: What the hell?
SFX: VROOM
SFX: CLOP CLOP CLOP!
To Be Continued:
Copyrighted 2001.
All Rights Reserved
Chasing Tails (Part 1)
By: Tristan Vick
Friday, January 30, 2004
Email: tv_pikachu@yahoo.com
Page 1
Panel one: Inside a coffee house, Starbucks Style, Julie sits at a round table alone. She is looking down at her cup of coffee.
Panel two: Julie is now holding the cup up looking at it closely, as if she were examining it for greater meaning. A waiter walks over to her.
Panel three: The waiter, a young strapping lad with spiky blond highlights and dazzling blue eyes, bends slightly forward.
Waiter: Miss, Is something the matter?
Panel four: Julie looks up at the young man with an all too serious face.
Julie: Itfs like a juxtaposition of an oxymoron, or some other kind of shit.
Waiter: Pardon me miss?
Panel five: Julie stands up and walks to the counter with the cash register.
Julie: It doesnft make sense. You know? A beautiful boy like you, a nice place like this, and what do you go and do? You serve the best cup of garbage in this god-forsaken town.
Page 2
Panel one: Julie walks out the front door, without paying. From inside, the waiter shouts out to her.
Waiter (OP): Wait, miss, you forgot to pay!
Panel two: The waiter appears in the doorway just as Julie pushes back her jacket to show her two 9MM guns holstered snuggly, one under each arm.
Waiter: Holly shit!
Julie: Donft wet yourself kid, Ifm a cop, but still I ainft paying. Unless, of course, you want to be arrested for assaulting an officer with that piss poor shit you pass off as coffee.
Panel three: Julie starts to walk down the street in a huff. The waiter puts his hands up in the air, playfully gesturing.
Waiter: Hey, I surrender; itfs on the house!
Panel four: The waiter walks back into the coffee house. We watch him let off some steam.
Waiter: I hate that lady. If she hates our coffee so damn much, then why does she come back every single freakinf week? For crying out loud!
Page 3
Panel one: Itfs now nighttime. Julie and Scarecrow (yes, the one and only real live scarecrow) stand at a cross walk on the busy Hollywood strip watching traffic zip by.
Scarecrow: So how was your daily cup?
Julie: Ifve had better.
Panel two: Julie and Scarecrow are still standing there. As they look up in time to see a Jeep go by. Itfs obviously a bunch of fraternity kids, as there is a driver, a passenger, and one guy standing up in the back of the Jeep, who also happens to be stark naked. All we see is his backside.
Frat Boys: WOO-WOOOOO!!!
Panel three: The jeep is gone, and Julie and Scarecrow remain undazed.
Julie: Put on your seat belt you dip-shit.
Panel four: Julie and Scarecrow suddenly look over in the direction the jeep was going. A collision has just occurred off panel.
SFX: CRASH!
SFX: HONK HONK!
Panel five: Close up of Scarecrow wincing as Julie remains unaltered in her emotional status.
Scarecrow: Ouch!
Panel six: Julie still remains calm. Scarecrow seems worried.
Scarecrow: Do you think we should help?
Julie: Nah. The good olf boys in blue can take care of it. Besidesc
Julies: It looks like hefs going to need the ejaws of lifef if he wants to take his pecker home with him.
Panel seven: Julie begins to cross the street, as it is now safe to do so.
Scarecrow: Yeah, bad luck.
Julie: No, just stupid dips driving recklessly.
Scarecrow: Yeah, that too.
Page 4
Panel one: As the two detectives walk down the street, there can be seen a group of what appears to be hookers, standing around at the next street corner.
Panel two: Julie perks up as something catches her attention. Scarecrow notices her change.
Scarecrow: Whatfs up?
Panel three: A dramatic angle shot of Julie pointing at something, or someone.
Julie: Donft you dare tell me thatfsc
Panel four: Scarecrow now sees it too, and he finishes Juliefs sentence.
Scarecrow: Vicky Van Foxenbossom!!!
Panel five: A woman with long blonde curls, a tight red dress, and extremely masculine build, and 4 AM stubble, spins around drastically and looks sharply in the direction her/his name was just shouted.
Page 5
Panel one: Vicky takes of running, as best that a stalky man can run in six inch heals. He pushes the other ladies of the night out of his way.
Panel two: Julie, in excitement takes chase, running after her/him.
Julie: Oh no you donft bitch! COME BACK HERE GOLDILOCKS! NOW! VICTOR!
Panel two: Victor runs into the street and pulls a guy off a motorcycle.
Panel three: Victor, in his tight fitting little red dress zooms off.
SFX: Skreeech!
Panel four: The biker is getting up off the ground and Julie dashes up, crashing into him.
Julie: Police! Move out of the way.
Biker: Oof!
Panel five: The biker falls back down, and Julie keeps on chasing Victor by foot.
Page 6
Panel one: Scarecrow stops to help the man up. Up ahead of them is a horse and carriage. Julie is out of sight.
Scarecrow: Are you hurt?
Biker: Just my ego. Some dude in a dress just went GTA on my ass. Totally un-cool man!
Panel two: Scarecrow stands straight, and pauses as he sees the horse and carriage.
Scarecrow: Donft worry son, I have a plan that will ensure the apprehension of that totally un-cool dudette, and wefll get you your bike back ASAP.
Panel three: Julie is dog-tired but shefs sprinting like a bat out of hell down the street to catch up. Out of breathe and weezing, she remains focused.
Julie: Puh- puh phooh.
Scarecrow (OP): Need a lift?
Page 7
Panel one: Scarecrow is riding the horse from the carriage and reaches down to grab Julie.
Julie: Whatchuffctook youchuff huffc so Goddamn long?!
SFX: Clop clop! Clop Clop!
Panel two: Scarecrow and Julie clasp arms and he pulls her upward.
SFX: Grab!
Panel three: They gallop off after Victor.
Julie: He took a right at that crispy cream up ahead. Hey, wherefd you learn to ride a hoarse anyway?
Scarecrow: I worked on a ranch up in Montana for a few summers.
Julie: Well arenft you something. My very own partner, John Scarecrow, real life cowboy and everything.
Page 8
Splash page: Driving at us head on is Victor, in his tight fitting skirt, hairy cleavage, and wavy golden locks, is racing down the street on the motor bike he stole earlier. As he glances into the bikefs mirror he unexpectedly notices something he was unaware of up until now. There is a hoarse with a Scarecrow (Yes, a real life walking and talking scarecrow) and Julie Kingston tailing him. With a backdrop of city lights in the evening, the chase ensues!
Victor: What the hell?
SFX: VROOM
SFX: CLOP CLOP CLOP!
To Be Continued: